Natalie Dessay - Haendel Arias for Cleopatra from 'Giulio Cesare' (2011) [24B-44.1kHz]
Quality：24B-44.1kHz
Genre：JAZZ
Year Of Release：2011
Number：19
Total Time：01:05:21
Total Size：658 mb
Label：Warner Classics
简介
在2011年初的巴黎歌剧院，娜塔莉·德赛（Natalie Dessay）扮演了一个新的主角：汉德尔（Handel）的《朱利奥·切萨雷》（Giulio Cesare）中的克利奥帕特拉（Cleopatra），这是这位作曲家所有舞台作品中最受欢迎的一部。莎士比亚在“无限变化”一词中捕捉到了埃及女王的许多方面，这些方面被描绘成一系列对比鲜明的咏叹调，既抒情又精彩，使这个角色成为这位法国女高音歌唱家作为歌唱演员才华的绝佳展示。
艾曼纽·哈伊姆（Emmanuelle Haïm）在歌剧院指挥了令人印象深刻的演员阵容和时代乐器管弦乐队德斯特雷音乐会（Le Concert d'strée），并在这张朱利奥·切萨雷（Giulio Cesare）摘录的新录音中担任指挥，她于20世纪90年代末首次与德赛合作；这两位艺术家都参与了亨德尔的《阿尔西纳》的巴黎制作，海姆饰演répétiteur（为威廉·克里斯蒂），德赛饰演摩根娜的闪亮角色。从那时起，两人建立了密切的工作关系，制作了许多维珍经典唱片，包括汉德尔的几部作品：康塔塔（收录在一本名为《Delirio》的专辑中）、《Dixit Dominus》和清唱剧《Il trinfo del tempo e del isiganno》，这张唱片让法国杂志《Diapason》“期待着Emmanuelle Haïm的下一次激动人心的汉德尔冒险”。
Dessay将Haïm描述为她的声音的勇气，舞台导演，而Haïm将Dessay的声音描述为“一种可以呈现一千种形式的特殊乐器……它的精湛技艺和灵活性让你忘记了音乐带来的所有困难。”Haïn接着说：“Handel是声音的作曲家。他要求Natalie具备特殊的品质：创造色彩的能力，在歌曲中体现文字的能力，让想象力说话的能力。”
《音乐世界报》在评论《节奏与幻觉三重奏》时评论道：“《斯特拉斯堡音乐会》的精湛技艺和丰富的调色板使伊曼纽尔·哈伊姆能够将色彩和节奏与所表达的情感相匹配”，而《纽约时报》则写道：“海姆女士指挥着精湛的巴洛克管弦乐队《斯特拉斯堡音乐会在英国，《星期日泰晤士报》发现，“娜塔莉·德赛在《美女》的咏叹调中令人眼花缭乱——她在庄严的忏悔结束曲中美极了……在海姆和艾伦的指挥下，这是这首辉煌乐谱的最佳版本。”
At the Paris Opéra in early 2011, Natalie Dessay takes on a new starring role: Cleopatra in Handel’s Giulio Cesare, now the most popular of all the composer’s stage works. The many facets of the Egyptian queen – captured by Shakespeare in the phrase “infinite variety” – are depicted in a sequence of contrasting arias, both lyrical and brilliant, making the character a superb showcase for the French soprano’s talents as a singing actress.
Conducting the impressive cast and the period-instrument orchestra Le Concert d'Astrée at the Opéra – and on this new recording of excerpts from Giulio Cesare – is Emmanuelle Haïm, who first collaborated with Dessay in the late 1990s; both artists were involved in a Paris production of Handel’s Alcina, Haïm as répétiteur (for William Christie) and Dessay in the sparkling role of Morgana. Since then, the two have developed a close working relationship which has produced a number of Virgin Classics recordings, including several works by Handel: cantatas (in a collection called Delirio), the Dixit Dominus and the oratorio Il trionfo del tempo e del disinganno, a recording which left the French magazine Diapason “looking forward to Emmanuelle Haïm’s next exciting Handelian adventure”.
Dessay describes Haïm as the metteur en scène – the stage director – for her voice, while Haïm describes Dessay’s voice as “an exceptional instrument which can take on a thousand forms ... Its virtuosity and flexibility make you forget all the difficulties presented by the music.” Haïm goes on to say that: “Handel is the composer for the voice. He demands special qualities that Natalie possesses: an ability to create colours, to embody words in song and to let the imagination speak.”
Reviewing Il trionfo del tempo e del disinganno, Le Monde de la Musique observed that “the virtuosity and rich palette of Le Concert d’Astrée enable Emanuelle Haïm to match the colours and tempo to the emotion expressed”, while the New York Times wrote that: “Ms. Haïm directs the superb Baroque orchestra Le Concert d'Astrée in a fleet, immaculate performance that dances among airy, profound and sensuous moods. The excellent quartet of singers is led by the radiant, bright voice of the soprano Natalie Dessay, whose rapturous Bellezza traverses innocence, defiance and penitence by way of some impressively agile coloratura. ’Tu del ciel ministro eletto', her spare, haunting final aria with plaintive violin accompaniment, is glorious.” In Britain, the The Sunday Times found that “Natalie Dessay dazzles in Beauty’s arias – she is gorgeous in the sublime penitential concluding number … With Haïm conducting with élan, this is the best available version of this glorious score.”
曲目
01. Cleopatra-Arias From Giulio Cesare In Egitto HWV 17: Ouverture
02. Cleopatra-Arias From Giulio Cesare In Egitto HWV 17: Atto Primo-Scene 7: Tutto Può Donna Vezzosa
03. Cleopatra-Arias From Giulio Cesare In Egitto HWV 17: Atto Secondo-Scene 2: Dov'è, Niren, dov'è L'anima Mia?
04. Cleopatra-Arias From Giulio Cesare In Egitto HWV 17: Atto Secondo-Scene 2: V'adoro, Pupille
05. Cleopatra-Arias From Giulio Cesare In Egitto HWV 17: Atto Secondo-Scene 7: Esser Qui Deve In Breve
06. Cleopatra-Arias From Giulio Cesare In Egitto HWV 17: Atto Secondo-Scene 7: Venere Bella
07. Cleopatra-Arias From Giulio Cesare In Egitto HWV 17: Atto Secondo-Scene 8: Che Sento? Oh Dio!
08. Cleopatra-Arias From Giulio Cesare In Egitto HWV 17: Atto Secondo-Scene 8: Se Pietà Di Me Non Senti
09. Cleopatra-Arias From Giulio Cesare In Egitto HWV 17: Atto Secondo-Scene 8: Per Dar Vita All'idol Mio
10. Cleopatra-Arias From Giulio Cesare In Egitto HWV 17: Sinfonia
11. Cleopatra-Arias From Giulio Cesare In Egitto HWV 17: Atto Terzo-Scene 3: E Pur Così In Un Giorno
12. Cleopatra-Arias From Giulio Cesare In Egitto HWV 17: Atto Terzo-Scene 3: Piangerò La Sorte Mia
13. Cleopatra-Arias From Giulio Cesare In Egitto HWV 17: Atto Terzo-Scene 3: Troppo Crudeli Siete
14. Cleopatra-Arias From Giulio Cesare In Egitto HWV 17: Atto Terzo-Scene 7: Voi Che Mie Fide Ancelle
15. Cleopatra-Arias From Giulio Cesare In Egitto HWV 17: Atto Terzo-Scene 7: Forzai l'ingresso A Tua Salvezza, O Cara!
16. Cleopatra-Arias From Giulio Cesare In Egitto HWV 17: Atto Terzo-Scene 7: Da Tempeste Il Legno Infranto
17. Cleopatra-Arias From Giulio Cesare In Egitto HWV 17: Sinfonia
18. Cleopatra-Arias From Giulio Cesare In Egitto HWV 17: Atto Terzo-Scene Ultima: Bellissima Cleopatra
19. Cleopatra-Arias From Giulio Cesare In Egitto HWV 17: Atto Terzo-Scene Ultima: Caro! Bella!
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