Beatrice Berrut – Liszt Athanor, Totentanz & Piano Concertos (2018) [24B-96kHz]
Quality：24B-96kHz
Genre：CLASSICAL
Year Of Release：2018
Number：9
Total Time：55:53
Total Size：935 MB
Label：Aparté
简介
阿坦诺（Athanor）。这是一个神秘的名字，用于炼金术中指代长燃炉，它能产生哲学家之石。这一母体象征着追求绝对的探索者的旅程，也是李斯特创作方法的隐喻。
就像炼金术士以耐心追求物质的完美一样，这位钢琴家兼作曲家的天才也长期孕育了他的两部钢琴协奏曲和《死之舞》的创作构思：事实上，从最初的草稿到最终出版，相隔了超过20年。
这三部杰作都贯穿了一条强大而迷人的主导主题，并由一种变形的逻辑所驱动：《死之舞》采用了主题与变奏的形式，而协奏曲则通过一个独特的主题统一起来，这一主题通过其变形滋养了整个音乐的流动。钢琴家贝阿特丽斯·贝鲁（Béatrice Berrut）在她之前的唱片中已经开始探索李斯特的音乐之路，在这里她证明了作曲家无穷的创造力：她演奏了第一钢琴协奏曲，并采用了李斯特本人在他的学生汉斯·冯·彪罗的副本上注明的最后变体。
贝阿特丽斯·贝鲁，钢琴
捷克国家交响乐团
朱利安·马松代（Julien Masmondet），指挥
Athanor. A mysterious name to designate, in alchemy, the long-combustion furnace that produces the philosopher’s stone. This matrix, which symbolises the quest of one who seeks to the Absolute, is a metaphor of Liszt’s approach.
With the patience of the alchemist who pursues the perfection of the material, the virtuoso composer and pianist has long matured the genesis of his two Piano Concertos and of the Totentanz: in fact, more than 20 years separate the first sketches of their publication.
These three major works are each crossed by a powerfull and captivating leading theme, and driven by a logic of transformation: the Totentanz uses the theme and variations form while the concertos are unifyed by a unique theme that nourishes the whole musical flow through its metamorphoses. Pianist Beatrice Berrut, who was already venturing on the Lisztian paths in her previous record, testifies here to the infinite invention of the composer: she performs the first Concerto with its last variants noted by Liszt himself on the copy of his pupil Hans von Bülow.
Beatrice Berrut, piano
Czech National Symphony Orchestra
Julien Masmondet, conductor
曲目
1. Totentanz. Paraphrase on “Dies Irae” for Piano and Orchestra, S. 126 15:52
2. Piano Concerto No. 1 in E-Flat Major, S. 124: I. Allegro maestoso 05:34
3. Piano Concerto No. 1 in E-Flat Major, S. 124: II. Quasi adagio 04:46
4. Piano Concerto No. 1 in E-Flat Major, S. 124: III. Allegretto vivace – Allegro animato 04:13
5. Piano Concerto No. 1 in E-Flat Major, S. 124: IV. Allegro marziale animato 04:08
6. Piano Concerto No. 2 in A Major, S. 125: I. Adagio sostenuto assai – Allegro agitato assai – Un poco più mosso – Tempo del 07:11
7. Piano Concerto No. 2 in A Major, S. 125: II. Allegro moderato 05:18
8. Piano Concerto No. 2 in A Major, S. 125: III. Allegro deciso – Marziale un poco meno allegro – Un poco meno mosso 07:05
9. Piano Concerto No. 2 in A Major, S. 125: IV. Allegro animato 01:46
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