Lise de La Salle – Phantasmagoria (2025) [24B-96kHz]
Quality：24B-96kHz
Genre：CLASSICAL
Year Of Release：2025
Number：14
Total Time：00:57:47
Total Size：902 mb
Label：Naive
简介
李泽楷和李斯特之间有一种亲密关系，可以说是一个持续了二十多年的爱情故事。在2005年她17岁时录制的第二张专辑中，李斯特与巴赫搭档。六年后，她录制了她的第一张全李斯特专辑，一张相当黑暗的光盘，其中悲惨而无情的Funérailles和Après une du Dante的演讲与Nuages gris和Lacrymosa令人心碎的裸体相得益彰。
再次解开阿里阿德涅的主线，这位法国钢琴家现在为欧洲浪漫主义最具世界性的作曲家的两部最伟大的杰作辩护，这两部杰作令人惊讶地相辅相成：B小调钢琴奏鸣曲和《唐璜》。
李斯特艺术的总结，B小调奏鸣曲，专为手腕如钢、心如金的钢琴家保留，在19世纪的钢琴曲目中闪耀着特殊的光芒。Lise de la Salle对这幅壮丽壁画的无数细微差别非常敏感，这幅壁画被构造成一个不间断的运动，她在这里以惊人的轻松平衡了歌德《浮士德》的戏剧性影响和《和平年代》色调景观中的沉思抒情性。
李斯特宇宙的频繁出现将促进对奏鸣曲的深入分析，奏鸣曲很快成为钢琴家艺术个性中不可或缺的一部分，然而，这是一场多么混乱的声音。
《Harmonies poétiques et religieuses》的最后一部分，即《爱情颂歌》，在这里作为一种对光明的逃避，介绍了《唐璜小插曲》，这是一种以变奏曲形式出现的幻想，通过其压倒性的情感力量，作为对奏鸣曲的回应。作为莫扎特《唐·乔凡尼》的崇拜者，利萨·德拉萨尔恢复了这部现在很少上演的作品的高贵。
李斯特从莫扎特的歌剧中汲取了著名的主题，在一种充满激情的美学中，他放大了自己鲜明的对比艺术和令人眼花缭乱的精湛写作。通过将这些迷你场景作为奏鸣曲的镜子，Lise de la Salle在完善黑暗氛围艺术的同时，尽可能地接近李斯特天才。
Between Lise de la Salle and Franz Liszt is an affinity, one could say a love story, that has lasted for more than twenty years. For her second album, recorded in 2005 when she was only seventeen, Lise de la Salle had Franz Liszt paired with Bach. Six years later, she recorded her first all-Liszt album, a rather dark disc, where the tragic and relentless Funérailles and Après une lecture du Dante rubbed shoulders with the heartbreaking nudity of Nuages gris and Lacrymosa.
Unrolling this Ariadne’s thread once again, the French pianist now defends two of the greatest masterpieces, surprisingly complementary, of the most cosmopolitan composer of European Romanticism: the Piano Sonata in B minor, and the Réminiscences de Don Juan.
A summing up of Lisztian art, the Sonata in B minor, reserved for pianists with wrists of steel and hearts of gold, shines with a particular glow in the piano repertoire of the 19th century. Sensitive to the myriad nuances of this splendid fresco structured as an uninterrupted movement, Lise de la Salle balances here with astonishing ease the dramatic impact of Goethe’s Faust and the contemplative lyricism present in the tonal landscapes of the Années de pèlerinage.
The assiduous frequentation of the Lisztian universe will have facilitated the in-depth analysis of the Sonata, which quickly became for the pianist an integral part of her artistic persona – and yet, what a maelstrom of sounds.
The final part of the Harmonies poétiques et religieuses, the Cantique d’amour, played here as an escape towards the light, introduces the Réminiscences de Don Juan, a fantasy in the form of variations which, through its overwhelming emotional power, works as an answer to the Sonata. A great admirer of Mozart’s Don Giovanni, Lise de la Salle restores the nobility of this now rarely performed work.
Liszt takes up famous motifs from Mozart’s opera, in an aesthetic full of passion, in which he magnifies his striking art of contrasts and his dazzling virtuoso writing. By placing these Réminiscences as a mirror of the Sonata, Lise de la Salle gets as close as possible to Lisztian genius at the same time as she refines her art of dark atmospheres.
曲目
01. Piano Sonata in B Minor, S. 178: Lento assai – Allegro energico – Grandioso
02. Piano Sonata in B Minor, S. 178: Cantando espressivo – Allegro energico
03. Piano Sonata in B Minor, S. 178: Incalzando – Recitativo ritenuto
04. Piano Sonata in B Minor, S. 178: Andante sostenuto – Quasi adagio
05. Piano Sonata in B Minor, S. 178: Espressivo
06. Piano Sonata in B Minor, S. 178: Allegro energico – Più mosso
07. Piano Sonata in B Minor, S. 178: Stretta quasi presto – Presto – Prestissimo
08. Piano Sonata in B Minor, S. 178: Andante sostenuto – Allegro moderato – Lento assai
09. Harmonies poétiques et religieuses III, S. 173: X. Cantique d’amour
10. Réminiscences de Don Juan, S. 418: Grave – Andantino
11. Réminiscences de Don Juan, S. 418: Duetto
12. Réminiscences de Don Juan, S. 418: Variation I
13. Réminiscences de Don Juan, S. 418: Variation II
14. Réminiscences de Don Juan, S. 418: Presto – Più animato – Prestissimo – Andante
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